OJOO is a brussels-based, moroccan-born musician, selector and organiser whose work hits where sound, politics and community collide, all shaped by mighty physical bass weight.

they’re part of psst, an intersectional feminist collective, and co-builder of the pssound system, a fully DIY rig built from the ground up by and for marginalised genders. not a flex, but an act of resistance. plywood, wires, community. raised on bootleg CD culture and shaped by constraint, ojoo found their voice in the pressure zones between dubplate and distortion. no clean lines, no polite transitions. just raw blends, concrete rhythms, sirens, and silence. they’ve played unsound, out.fest, dekmantel, but you’re just as likely to hear them rinsing bass weight at warehouse squat parties or partaking dub EQ workshops off the grid. regular radio on kiosk (brussels) and noods (bristol) lets them build out their world besides the dancefloor. they also curate nights, bringing their vision to venues and festivals; their latest shows in 2025 were at Botanique and Listen Festival, inviting artists to their hometown including Dali de Saint Paul, Grove, DJ Marcelle, Shackleton, Demdike Stare, and more. ojoo doesn’t play music to pay homage, they live it, twist it, and push it to rupture. every set is a terrain of pressure: political, sonic, personal.Known for her eclectic mix of styles, tempos, and sounds, Ojoo, fka Ojoo Gyal, has a knack for blending diverse elements into an engaging and infectious experience.Born and raised in Morocco, and currently based in Brussels, Ojoo has established a mean reputation for mapping a sound uniquely hers in meticulous DJ mixes since 2019 at venues across Morocco and Europe, radio shows on Noods and Movement, and mixtapes on Accidental Meetings and Chrome.Ojoo’s mixes give equal attention to atmosphere and groove. They are a swirling cauldron of rhythms across a whole spectrum of genres, from old-school dancehall to its most futuristic and distorted mutations, twisting through dub, reggaeton, dembow, grime, and sometimes excursions into the noisy, grubby and sludgy, with illbient, musique concrète, and more